This op/ed comes from Inder Phull, CEO and co-founder of gaming and music metaverse company PIXELYNX
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Category archives: Blog
Why I’m doubling our investment in the UK music industry, just when people say it’s losing global power.
Lucas Keller’s belief in the hit-making ability of British songwriters, producers and artists is unwavering…
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How Four Tet vs. Domino points to our industry’s profit-share future
This op/ed comes from UK-based Hunter Giles, who co-founded and leads Infinite Catalog, a royalty accounting software + service company
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The Decentralisation Paradox
The following MBW op/ed comes from Dan Symons, founder of SPLIT / LIP, a Web3 and metaverse business consultancy for rights owners
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‘Why the ‘tortured artist’ cliché needs to get in the bin.’
Rhian Jones challenges a well-worn music industry trope, and surveys the damaging effect it can have on creative careers…
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‘We have lagged behind other industries in identifying opportunities to collaborate.’
The revenue flow from licensees to labels to artists is dependent on accurate data and efficient management of that data. And the key to that, says the PPL’s CIO Mark Douglas, is collaboration…
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‘Music creation has changed, fan behavior has changed, and therefore, artists’ needs for digital music distribution have changed too.’
The following MBW op/ed comes from Andreea Gleeson, Chief Executive Officer of DIY distribution company TuneCore
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The Gamification of Everything
The following op/ed comes from Dan Symons, founder of SPLIT / LIP, a Web3 and metaverse business consultancy for rights owners
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Music streaming has a ‘tsundoku’ problem
London-based music industry journalist Eamonn Forde on the future of music streaming’s subscription model
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‘What is currently an opaque black box of song royalties, needs to be transformed into a glass box.’
The following op/ed comes from Annabella Coldrick, Chief Executive of the UK’s Music Managers Forum
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